The 15 Nitya and their symbolism

<§1.jpg” alt=”” width=”1175″ height=”1155″ />In Hindu metaphysics, the game of the event is supported by supreme divine energy Shakti That it projects (expands) in time and space; Its sequential layout is illustrated primarily by the 12 Kali-s, but its hypostasis of supreme power that “nourishes” and enlivens the entire universe with the sublime and beatific nectar (Soma) has 16 distinct facets (nityawhich are very closely related to the stages of densification of the essential formative structures and energies of Creation.

The term nitya means “eternity” or “permanence” and designates the Supreme Divine Consciousness or the Absolute. Traditional tantric symbolism associates these nitya-s with Movement Cyclicthe most of the Moon, A of the Sun, as well as of other planets. In fact, the secret science of nityaIt is also called kala-vidya (the secret science of the essential quanta of supreme energy).

In reality, the kalas represent the “rays” of the energy of time, the emanations through which eternity manifests itself in Creation.

Creative energy sequences (nitya-s, or KalaThe -s) of the Divine Emanation are found at all levels of manifestation, both macrocosmically (in all dimensions of universal manifestation) and microcosmically (at the level of the human structure).

On a human level,

nitya

There are many levels, nuanced in a very wide range of aspects, but we can say, without mistake – and the entire tantric tradition, especially the Kaula tradition emphasizes this – that the most effective and important way to awaken in our being, in a completely beneficial, sublime and divinizing form, these creative energies is the tantric love fusion, in which love, transfiguration and sublimation on the higher centers have an essential role.

Nitya-The Creator is the first emanation of the Great Divine Creative Power (Parashakti), which in the tradition of Kakla is usually assimilated (in the context of nitya-s) with Tripura Sundaritag. Although these energies manifest in time, they are part of the categories of particularly elevated divine entities, which have totally transcended time (they are eternal) and through which the human being can also transcend the becoming and illusion of finite existence.

The 15 nityas that constantly accompany the Adya Lalita Tripura Sundari which is 16th nitya) are associated with the rising phase of the month, respectively, each nitya is associated with one of the 15 days (14 days of the crescent month, and the 15th day is the Full Moon.)

The 15Nitya can also be seen as modifications of the Lalita, a representation of the red goddess with the three guns and the five elements, respectively ether, air, fire, water and earth. Each Nitya has its own vidya (which is a mantra), yantra and group of energies (Shaktis). Their names appear in the first chapter of Vamakeshvara Tantra.

Each of the Nityas has a certain number of arms, the total arms (= radii) of the entire circle being 108. Since any unit of time is regarded as a microcosm or a parallel of any other valid unit, each of the fifteen Nityas has 1,440 breaths (see Bhavanopanishad). This identity between space, time, Tripurasundari and individuality is highly elaborated by the author Tantraraja.

According to this text, Nitya are the vowels of the Sanskrit alphabet and are identical to both time and space. For example, if the number of tattves or consonants (36) is multiplied by the 16 Nityas, the number of letters is 576. Multiples of this number represent the number of years in the various Yugas.

source http://www.shivashakti.com/nitya.htm